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LIVE AT THE AQUARIUS THEATRE: THE SECOND PERFORMANCE THE AQUARIUS THEATER, HOLLYWOOD - July 21, 1969 Second Show Setlist 1. House Announcer Band chatter/Jim intro 9. Gloria 2. Back Door Man 10. Touch Me 3. Break On Through 11. The Crystal Ship 4. When The Music's Over 12. Jim LMF intro 5. You Make Me Real 13. Light My Fire 6. Universal Mind 14. Jim Celebration intro 7. Mystery Train 15. Celebration of the Lizard 8. Little Red Rooster 16. House Announcer Encore 17. Jim dialog 23. Blue Sunday 18. Soul Kitchen 24. Five To One 19. Jim introduces Ray 25. Jim dialog 20. Close To You 26. Rock Me 21. Close To You falls apart 27. Ray dialog 22. Peace Frog Instrumental     _____________________________________________ SECOND SHOW (House Announcer) We're really proud tonight to have a great group here.. at the Aquarius Theater. The Doors (applause) (tuning) Ray: John. Hit the.. Hit the side.. Oh, it's starting to feedback already. (applause) Yeah base.. base drum. John.. let's here that. (Ray laughs) Play the side toms. The side toms. Jim: Yeah. Yeah. Well we've wanted to.. uh.. record a live album in our home town.. for a long time. So we're gonna do it tonight. (applause) (guitar intro to Back Door Man) Back Door Man (Ray: Yeah) W'I aaa-aam. Yeah, were back door man. Back door man. Men don't know but da.. little girls.. understand. Well all your people.. tryin' ta sleep. Out 'dere makin' wit' our midnight creep, yeah! Back door man. Men don't know but da.. little girls.. understand. Alright, yeah! (guitar solo) (band settles into groove) ehhhhhhahhhhmmmmmgehhaaaaaaaaa. An old.. blues.. man. Been.. singin' the blues.. ever since.. the world began. Hey-ehhhohhhhhhhooo. You men eat your dinner eat your pork and beans. I eat more chicken any man ever seen, al-right. 'Cause I'm a back door man. Yeah, da men don't know but da.. little girls.. You understand.. don't 'cha honey. Well I'm a back door man. I'm a back door man. Ohh. Backdo' ma' Men don't know but da.. little girls.. understand. Yeah. (song ends/applause) (drum/organ intro to Break On Through) Break On Through Ya know da day destroy da night-mmm. Night divides the day. Tried to run. Tried ta hide. (Ray joins Jim in singing rest of verse) Break on through to the other side. Break on through to the other side. Break on through to the other side. Yeah, chased our pleasho' here. Dug our treasures there. (Ray joins Jim singing the rest of the verse) Still recall.. time we cried. Break on through to the other side. Break on through to the other side. Break on through, yeah.. whaoo! (organ solo) Eh! Ev'rybo-day.. love my bay-beh. Ev'rybo-day.. (Ray joins in) love my bay-beh. She get.. She get. (Ray: high) She get. (Ray: high) She get.(Ray: higher) Oh-eah. I found an island in yo' arms. (Ray sings rest of song with Jim) Country in yer eyes. Arms that chained us, eyes that lied. Break on through to the other side. Break on through to the other side. Break on through, yeah.. whoh-right! (guitar solo) Yeah, made the scene. Week to week. Day ta day. Hour ta hour. Gate is straight, deep and wide. Break on through to the other side. Break on through to the other side. Break on through. Break on through. Break on through. Break on through. Oh yeah.. yeh.. eh.. eh.. yeh.. yo.. yeh.. eh.. oh.. yeh.. yeh.. yeh.. yeh.. yeh.. yeh.. yo.. yeh. (song ends/applause) (organ intro to When The Music's Over) When The Music's Over (Jim screams at end of intro) EHHHHHHHHH! When da music's over. When da music's over, yeah. When da music's over.. turn out the lights. Turn out the lights. Turn out the lights. ehhhhhhhh. When da music's over. When da music's over. When da music's over.. turn out the lights. Turn out the lights. Turn out the liiiiiiights. When the.. music.. is your.. special friend. Dance on fire as.. it intends. Music.. is your.. only frie-end. Un-til the end. Until the end. Un-til the.. yeeehhhhhahhFUCKERINTHEASS! (guitar solo) (band settles into groove) Cancel my subscription to the.. resurrection. Send my credentials to the.. house of detention. Got some friends.. in-side. The face in the mirror won't stop. The girl in the winda' won't drop. A feast of friends. Alive, she cried. Waitn' for me.. out-side. Before I sink. Into the.. big sleep. I want to hear. I want to hear. The scream.. of the.. butterfly. Come back, baby. Back in-to my.. arms. We're gettn' tired of hangin' around. Waitin' around with our.. heads to the ground. I hear a.. very gentle sound. Very near yet.. very far. Very soft and.. very clear. Come today, babe. Come today. What 'ave they done to the Earth. What 'ave they done to our.. fair sister. Ravaged.. and plundered.. ripped her and bit her. Stuck 'er with knives in the.. side of the dawn and.. Tied her with fences and.. Dragged her down. I hear a very gentle sound. With your ear down.. to the ground-a. We want the world and we want it.. (organ solo) NAAAAAAAAAAAAAA! Persian night, babe. See the light, babe. Save us. Save us. (band settles into groove) So when the music's over. When da music's over, yeah. When the.. music's over.. turn out the lights. Turn out the lights. Turn out the liiiiiiiiiight. When the music.. is yo'.. special friend. Dance on fire as.. it intends. Music.. is yo'.. w'only friend. Un-til the end. Until the end. Un-til the.. ehhhhhhhhhhhhhhhhhhh-nd. (song ends/applause) (tuning/band talks to each other/laughs) Come on.. let's do it. (guitar intro to You Make Me Real) You Make Me Real I really want you. I really do. Really need ya, babe. Yeah. Well I'm not real enough without you. Uh.. what can I do. You make me real. Only you.. have that appeal. You make me throw away mistake an' mystery. Make me free, love. Make me free. Waahhh, yeah! (guitar solo) I really want you. Really do. Really need ya, babe. God knows I do. 'cause I'm not real enough without you. Uh.. What can I do. You make me re-al. Ya make me feel.. Like lovers feel. So let me slide into your tender sunken sea. Make me free, love. Make me free-whaaaa-aahhright. (guitar solo) Ehhhhhh! You make me real.. ahh, yeah. You make ma' feel.. Like lovers feel. You make ma' throw away mistake and misery. Make me free, love. Make me free. Make me free. You make me.. Freeeeee. (song ends/applause) (tuning) (guitar intro to Universal Mind) Universal Mind I was doin' time in the universal mind. I was feelin' fine. I was turnin' keys. I was settn' people free. I was doin' alright. Then you.. came along with a.. suitcase and a song. Turned my head around. Now I'm so alone.. just lookin'.. for a home.. In ev'ry face I see. I'm the.. freedom man. I'm the.. freedom man. I'm the.. freedom man. That's how.. lucky I am. I was doin' time in da universal mind. I was feelin' fine. I was turnin' keys. I was settn' people.. free. I was doin' alright. Then you.. came along.. with a suitcase.. and a song. Turned my.. head around. Now I'm.. so alone.. just lookin'.. for a home.. In ev'ry face I see. I'm the freedom man. (organ/guitar combined solos based on Coltrain's Afro Blue) I was doin' time.. in the universal mind. I was.. feelin' fine. I was.. turnin' keys. I was.. settn' people free. I was.. doin' alright. Then you.. came along.. with a suitcase.. and a song. Turned my.. head around. Now I'm.. so alone. Just.. lookin'.. for a home. In ev'ry face I see. I'm the.. freedom mannnnn. Yeah.. that's how lucky I am. I'm the.. freedom man. I'm the.. freedom man. (song ends/applause) (crowd shouts out requests/tuning) (Ray:All-right.) (cymbal/guitar/bass intro to Mystery Train) Mystery Train Yeah. Train I ride.. sixteen coaches long. Train I ride.. sixteen coaches long. Well dat old black train.. took my baybeh and gone. Train-train.. comin' 'round the bend. Train-train.. comin' 'round da bend. Well dat mean old train.. took my one and only friend. Wooo-wooo! (short combined organ/guitar solo) eeeeeee-yoo-hoo! Well I woke up dis mornin' got da crossroads on my mind. Yeah, woke up dis mornin' got da crossroads on my mind. Yeah, take a walk with me ev'rything gonna.. work out fine. Well I woke up dis mornin' got de' H-bomb on my mind. You know.. woke up dis mornin' got de' H-Bomb on my mind. Yeah, take a walk with me, ev'rything gonna work out fine. Well I woke up dis mornin' got the junk-man on.. my.. mind. Ehhh, woke up dis mornin' got the junk-man on my mind. Yeah, take a walk with me yeah.. Yeah-yeah. whoh-whoh. Ev'rything. Ohhhh, work out fine. Woo-woo. Mystery traiiiiiiiiin.. Get onboard alright.. okay.. ah-huh.. yeah-yeah. Mystery traiiiiinnnnnn. Comin'.. Get that train, babe. Get onboard.. alright.. okay.. yeah-yeah-yeah-yeah. Well I woke up dis mornin' got the crossroads.. on my mind. Yeah, woke up dis mornin' got crossroad.. oh. Take a walk with me, ohhh. Everything.. everything, ah. (song ends/applause) (crowd shouts out requests) (slide guitar intro to Little Red Rooster) Little Red Rooster Well I'm da little red rooster. Too lazy ta crow.. for days. Little red rooster. Too lazy ta crow for days. Keep ev'athing in da barnyard.. Upset.. in every wa-ay. Da dogs begin ta bark. Da hounds.. begin ta.. howl. Dog begin ta bark. Hounds.. begin ta'.. ho-owl. Look out strain' cat people. Little red rooster's on da prowl. Ahright, play awhile. (guitar solo) Ah' begin ta bark, ow-ow! Da hounds.. begin ta.. howl. Dog begin ta bark, ow-ow! Da hounds.. begin ta howl. Look out strange cat people. The little red rooster.. 's on da prowl. Play it! (organ solo) See my little red rooster. Come on and.. drive him home. See my 'wed rooster, honey. Please.. drive him home. Ain't been no peace in da barnyard.. Since that little.. roosta' been gone. One mo'. Well I'm the little.. red rooster. Too lazy ta crow.. for days. I'm da little red rooster. Too lazy ta.. crow for days. Keep everything in da barnyard.. Ups-et in every.. wayyyyyy. (song ends/applause) (tuning) (bass/guitar intro to Gloria) Gloria Te' 'bout my baybeh.. No she.. come around. Come 'round here. With her head to the ground. Come 'round here.. Just about midnight. Make me feel so good. Make me feel alright. Come 'round here.. Jist a-bout midnight. Make me feel so good. Make me feel al-right. Come 'round my street. She comes to my house. Knock on my door. Climbin' up my stairs. One-two-tree-fo'uh. Here she is in my room, yeah. A-won't you come inside. Tell me your name, babe. How old are you? Where'd ya go ta school? Clo-ser. Clo-ser. Touch me, babe. Well, now that we know each other.. a little bit better.. Make me feel alright! (Ray: Glo-ria) (Ray and Jim) Glo-ria. Glor-ia (Ray: yehhh.) Glor-ia (Ray: eeh-ahhhh!) Glor-ia (Ray: beh-ohhh) Shout all night, shout all day. All right. Okay. (band settles into groove) Gotta meet me.. At the crossroad. Gotta meet me.. At the edge of town. Outskirts of the city. Better come alone. You and I.. And da evenin' sky. Better bring your gun. Gonna have some fun, yeah. Coda queen now.. be my.. bride. Rage and darkness by my side. Seize the summer.. in your pride. Take the winter.. in your stride, let's ride. (combined guitar/organ solo) (band settles into groove) You were my queen and I was your fool. Ridin' home.. after school. Took me home. Nobody there. Your father's at work and your mother's out shoppin' around. Took me in.. In ta your house. Back in your room, yeah. Show'd me your thing, alright. Oh no, ahh! It's too late now. (tempo slows down) Softer. Gettn' hard, yeah. Get on up. Can't go back. It's gettin' har-der. (tempo starts to speed up) It's gettin' too darn fast, uhhh. Too late now.. this is too late now. Make me feel alright, yeah! (Ray: Glo-ria) (Ray and Jim) Glo-ria. (Ray and Jim) Glo-ria. (Ray and Jim) Glo-ria. AHH-ria! (Ray: Glo-ria. Glor-ia) All day. All night. (Ray: Yeah, my love.) All day. All right-eh. (song ends/applause) (tuning) (guitar intro to Touch Me) Touch Me Come on, come on, come on, come on now touch me, baybeh. Can't you see.. I am not afraid. What was that promise that you made. Why won't you tell me what she said. What was that promise that you made. I'm.. gonna love ya.. 'till the.. heavens stop.. rain. I'm.. gonna love ya.. 'till the sta's fao' from da sky. You and I. C'mon! Come on, come on, come on, come on now touch me, babe. Can't you see.. I am not afraid. What was dat promise that you made. Why won't you tell me what she said. What was that promise that you made. I'm.. gonna love ya.. 'till the heavens stop the rain. I'm.. gonna love ya.. 'till the stars fall from the sky. You and I. I'm.. gonna love ya.. 'till the heavens stop the rain. I'm.. gonna love ya.. 'till the stars.. fao.. from.. the sky. You and I.. Alright! (instrumental ending) (song ends/applause) (guitar intro to The Crystal Ship) The Crystal Ship Be-fore you.. slip into.. unconsciousness, I'd.. Like to have a-nother kiss. 'no-ther.. fla-shing.. chance.. at bliss a-nother kiss. Another kiss. Oh tell me where.. your freedom lies. The streets are.. fields that.. never die. Deli-ver.. me.. from.. rea-sons why you'd.. rather cry. I'd rather fly. (organ solo) The days are bright.. and filled with pain, en- Close me in your.. gentle reign. Time we ran was too.. insane, we'll.. meet again. We'll meet again. The crystal ship.. is being filled. A thousand girls. A thousand thrills. A.. Mill-ion ways to.. spend.. your time. When.. We get back, I'll drop a.. line. (song ends/applause) Thank you. (tuning) (Jim introduces next song) As they say in.. Spanish.. Enciende del fuego.. (drum crack/organ intro to Light My Fire) Light My Fire Ya know that it will be untrue. Ya know that I would.. be a liar. If I was ta say to you. Girl we couldn't get much higher. Come on baybeh.. light my fire. Come on baybeh light my fire. Try ta set the night on.. fire. Time to hesitate is through. No time ta wallow.. in the mire. Try now we can only lose. And our love become a fun'ral pyre. Come on baybeh.. light my fire. Come on baybeh.. light my fire. Try ta set the night on.. ehhhahh, come on, honey. (organ solo) (applause) (guitar solo) (band settles into groove) (Robby, John and Ray 'trade fours') Fuck-fuck-fuck-fuck! Ahhck-fuck-fuck-fuck-hey! (organ turnaround) Time to hesitate is through. No time ta wallow.. in the mire. Try now we can on-ly lose. And our love become a fun'ral pyrrre. Come on baybeh.. light my fire. Come on baybeh.. light my fire. Try to set the night on.. fire! Know that it will be untrue. You know that I would be a liar. (Ray joins in singing) If I were to say ta you. Girl we couldn't get much higher. Come on baybeh light my fire. Come on baybeh light my fire. Try ta set the night on fire. Try ta set the night on fire. Try ta set the night on fire. (Ray: ahhhhhhh!) Try ta set the night on.. fire! (song ends/applause) (audience shouts out requests) (Jim shakes maracas) Ray: Okay, take the mics down a little bit. This.. Take these down. (Jim starts reciting Celebration Of The Lizard from upper balcony) Celebration Of The Lizard Lions in the street in roaming. Dogs in heat. Rabid, foaming. A beast caged in the heart of the city. The body of his mother rotting in the summer ground.. He fled the town. He went down south and crossed the boarder. Left the chaos and disorder.. Back there.. over his shoulder. One morning he awoke.. in a green hotel.. With a strange creature groaning beside him. Sweat oozed from it's shiny skin. Is everybody in? (crowd: yeah!) The ceremony is about to begin. Wake up! You can't remember where it was.. had this dream stopped. The snake was pale, gold.. glazed and shrunken. We were afraid ta touch it. The sheets were hot, dead prisons. And she was beside me. Old.. She's no. Young. Her dark, red hair. The white, soft skin. Now.. Run to the mirror in the bathroom! Look! She's coming in here. I can't live through each slow century of her moving. I let my cheek slide down.. the cool.. smooth tile. Feel the good, cold, stinging blood. The smooth.. hissing.. snakes.. of raaaaiiinn! ("A Little Game" organ intro) Once I had. A little game. I like to crawl. Back in my brain. I think you know. The game I mean. I mean the game. Called go insane. You should try. This little game. Just close your eyes. Forget your name. Forget the world. Forget the people. And we'll erect. A different steeple. This little game. Is fun to do. Just close your eyes. No way ta lose. And I'm right here. I'm goin' to. Release control. We're breakin' through. (extended "Hill Dwellers" intro) (This is where Jim swings on a rope from the balcony to the stage) (crowd cheers) (Jim continues from stage) Way.. back deep into the.. brain. Back.. where there's never.. any rain. And the rain falls gently on the town and over the heads of all of us. And in the labyrinth of streams beneath. The quiet, unearthly presence of nervous hill dwellers.. In the gentle hills around. Fossils abounding. Reptiles. Cool air heights. Each.. house repeats a mold. Win-dows rolled. A beast car locked in against morning. All now sleeping. Rugs silent. Mirrors vacant. Dust.. blind under the beds.. of lawful couples.. wound in sheets. And daughters. Smug with semen. Eyes in their nipples. Wait! There's been a slaughter here. Don't stop to speak or look around. Your gloves and fan are on the ground. We're going out of town. We're going on the run. And you're the one.. I want ta come. ("Not To Touch The Earth" bass intro) Not to touch the Earth. Not ta see the sun. Nothin' left ta do but.. run, run, run, let's run. Let's run. House upon da hill. Moon is lyin' still. Shadows of the trees. Witnessin' da wild breeze. Come on baybeh run.. with.. me. Let's run. Run with me. Run with me. Run with me. Let's run. Ahhh! The mansion is warm at the top a' the hill. Rich are the rooms and the comforts there. Red are the arms of luxuriant chairs.. a'.. won't know a thang 'till ya get inside. Dead president's corpse in da driver's car. The engine runs on glue and tar. (Ray: whoo) Come on along not.. goin' very far. Ta the East.. ta meet the tsar. Run with meeee. Run with me. Run with me. Let's run. Ahhh.. AHHHHHH! Some outlaws live by da side of a lake. The minister's daughter.. love with the snake. Who lives in a well by da side a' the road. Wake up girl.. we're almost home, yeah. Sun-sun-sun. We should see.. the gates.. by mornin'. We should be in-side by evenin'. Burn-burn-burn. Moon. Moon. Moon. I will get you.. Soon. Soon. Soon. I am the lizard king. I can do anything. ("Rivers and Highways" music) We-e came do-wn the rivers and highways. We came do-wn from forests and falls. We-e came do-wn from.. Carson and Springfield. We-e came do-wn from.. Phoenix enthralled. And I can tell you.. the names of the kingdom. I-I can tell you.. the things.. that you know. Listening fo-or a fist full of.. silence. Cli-imbing va-alleys.. into the sha-ade. For seven years I dwelt in the loose palace of exile. Playing strange games with the girls of the island. Now I have come again to the land of the fair.. and the strong.. and the wise. Brothers and sisters of the pale forest. Children of night. Who among you will run with the hunt. Now night.. arrives with her purple legion. Retire now to your tents.. and to your dreams. Tomorrow we enter the town of my birth.. and I want.. to be ready. Goodnight. (song ends/applause) (House Announcer) Ladies and gentlemen if I could have your kind attention for just one moment. If I could have your kind attention. Not to add any.. shall we say.. Could we have s.. (microphone connection lost/long pause) Ahh. We were temporarily disconnected. I'm sorry for the inconvenience. The management has asked me.. to.. have the aisles cleared. Have you regain your seats again. Mr. Morrison said that he'd be delighted to come out and do another number without house lights. But may we ask you please now as a request of the management if you would, once again, take seats even though they're not your own. Please cooperate. Let people pass in front of you. And if you ju.. if you would mind staying in your seats for this number there should be no problem again with the management. And may I relay their thanks to you for this. Unfortunately there can be no seating in any aisle. That you must be in.. the proper seats. So if you would we shall continue. (applause) ENCORE (band appears/applause) (tuning) (Jim talks to lighting person) Hey Chip let's keep it.. pretty dark this set, okay? Ahright? Hey we can play.. uh.. it's a.. thi.. this evening is.. open end. We can stay here as long as.. everybody's having fun, right? Alright! (extended organ intro to Soul Kitchen) Soul Kitchen (Jim does something to get the crowd cheering) Well da clock said it time ta close.. now. I guess we'd better go.. now. But I'd really.. like ta stay here.. all night. (crowd cheers) The cars crawl past all stuffed with eyes. Streetlight shed their hollow gold. Your brain seemed bruised with.. numb surprise. Still one place to go. Still one place to go. Let me sleep all night.. in yo'.. soul kitchen. (Ray: Soul kitchen.) Warm my mind to yo'.. gentle stove. (Ray: Warm my mind to your.. stove.) Turn me out.. wander, babe. (Ray: Turn me out.. wander, babe.) Stumblin' in da neon. (Ray: stumbliiiiiiiahhhhh.) Wheh fingers weave quick.. minaret. Speakin'.. secret.. alphabets. I.. Light another.. cigarette. (Ray: Another cigarette.) Learn.. to forget. (Ray: Learn.. to forget.) Learn.. to forget. (Ray: Learn.. to forget.) Learn.. to forget. Learn.. to forget. Let me sleep all night.. in your .. soul kitchen. (Ray: Let me sleep all night.. in your .. soul kitchen.) Warm my mind to yo'.. gentle stove. (Ray: Warm my mind to yo..) Turn me out'n I'll wander, babe. (Ray: Turn me ouuuuuuu.) Stumblin' in da neon.. waaaaaa-yeah! (Ray: Stumblinnnnnn'.) (Ray: whoh!) (guitar solo) (band settles into groove) Your fingers weave quick.. minarets. Speakin'.. secret.. alphabets. I.. Light another.. cigarette. Learn.. to forget. Learn.. to forget. Learn.. to forget. Learn.. to forget. Lemme sleep all night.. in your.. soul kitchen. (Ray: Let me sleep all night.. in your .. soul kitchen.) Warm my mind to yo'.. gentle stove. (Ray: Warm my mind to your gentle stove.) Turn me out'n I'll wander babe. (Ray: Turn me ouuuuuuu..) Stumblin' in da neon. (Ray: Stumblin'. Yeah.) Whoh-yeah-hey! (organ solo) (band settles into groove) The cop said it time ta close.. now. I know I have ta go.. now. Really wanna stay here.. all night. (Ray: Really wanna stay here.. all night.) All night. (Ray: All night.) All.. night. (Ray: Ahhhhooo) (song ends/applause) Alright. Alright. Alright. Alright. Alright. Thank you. Thank you. (Jim talks to audience) Jim: But now, ladies and gentlemen, I would like to.. introduce.. Ray: Oh , Jesus Christ.. (John laughs) Jim: No.. No.. Ah, never mind.. Ray: Alright. Let's get down to it. Let's find out.. John: Come on Ray, come on.. Jim: We have.. we have the honor.. the distinguished.. pleasure.. this evening.. of hearing some of the authentic.. blues.. preformed by a master of that art. (Ray/John laugh) Jim: Out of Chicago.. now Los Angeles.. Ray: Uh, Let's do 'Close To You' Jim: The exciting! The soulful! The fantastic! What's your name man? Ray: I'm not gonna.. nope. .(laughs) Jim: Come on Ray, let's do it. Ray: Okay.. Jim: You gotta get him mad a little bit.. Ray: (clears throat) Okay.. Got it. (sighs) (organ intro to Close to you) (Jim: Yeah-heh) Close To You (Ray on vocals) Well, I wanna get close to you, baybeh. I wanna get close. Come on, baybeh. Feel close. Close to you baybeh.. I can get. (organ solo) Alright! Yeah! (Ray talks to band) Let's uhhh.. play it.. in the key of.. 'A'. (band changes to 'A') That's code talk. Musicians code. Yeah! (Jim: ehhAlright!) Came to Los Angeles.. 'bout nine years ago. I came to the city.. 'bout nine years ago. I think I found it. No place else to go. Saw the sun. Saw the beach. Saw the people.. on the street. I came to Los Angeles, 'bout nine years ago. Been all around the world. No place else ta go. Listen baybeh. Just take it easy. Just ride in your car. Go.. 'round the strip.. and.. uh.. all the other places. People lookin' good.. everywhere I go. Long hair.. fancy clothes. Must be the start.. Must be the start of something new. So I get close to you baby, close as.. I can get. (Jim: Close) Close to you baybeh, like-a.. water's wet. (Jim: Close) Close to you baybeh like an egg is to a hen. Close to ya baybeh like Siamese twin. I wanna get close to ya, baybeh. (Ray and Jim ) Close to ya, baybeh. (Jim: Close) Close to ya ,baybeh.. Don't know what ta say or do. I wanna get close to you baybeh, like a fire's to smoke. Close to ya baybeh like a.. pig is to poke. A-close to you ba.. (Ray stops singing/playing. Song stops) Ray: No. no-no.. St-stay on "A". Jim: W-wa-wait-wait a minute. Wait a minute. Ray: See we haven't done these songs in a long time and no-one. Jim: No.. Ray: We haven't done them since the Whisky actually.. Jim: No.. that.. that.. Ray: So as filler, we're stuck. Jim: No, that.. that. was pretty good, Ray. Really. Really. (applause) Ray: I thought it was nice. Jim to audience: Didn't you's think so? Yeah. Ray: It was a nice try anyway. You know.. The effort was sincere. Well now we'll try and do.. uh.. (Crowd shouts out requests. One person keeps shouting for 'Do It') Ray: Oh.. Do it. Do it. Instrumental. Vince. (tuning/crowd shouts requests) Ray: Okay, we have a crowd pleaser now. (more tuning) (Jim talks to crowd) Uh.. Is there anything in particular anyone out there would like us to do? (crowd shouts out favorites) Now wait a minute. Wait a minute. One at a time. I can't hear anything. Please, one at a time. (tuning) (opening guitar lick of Peace Frog) Peace Frog Instrumental (two and half minute Peace frog instrumental) (transitions into Blue Sunday organ intro) Blue Sunday I.. found my own.. true love was.. On.. a.. blue Sunday. She.. looked at me and.. told me.. I.. was the only.. One in the world. Now I have found.. my girl. My girl.. awaits for me in ten-der time. My girl is mine. She is the world. She is.. my.. girl. (combined organ/guitar solo) My girl.. awaits for me in tender.. time. My girl is mine. She is the world she.. is my girrrrrrrl. (song ends/applause) (drum/guitar intro to Five To One) Five To One Let's keep the lights out for this one, alright? Five to one, baybeh. One in five. No one here.. gets.. out alive, now. You get yours, momma. I'll get mine. Gonna make it baybeh if we try, yeah. The old get old and the.. young get stronger. May take a week and it.. may take longer. They got the guns but.. we got the numbers. Gonna win, yeah we're.. takin' over. Come on. (guitar solo) You're ballroom days 'er over, baybeh. Night is.. drawin' near. Shadows.. of the.. evenin'.. Crawl across the year. Ya walk across the floor wit' a.. flower in your hand. Try'n ta tell me no one.. understands. Trade in you hours fo' a handful a' dimes. Gonna make it baybeh in our prime. Get together.. one more time. Get together.. one more time. Get together.. one more time. Get together.. GET TOGETHER.. ONE MORE TIME! GET TOGETHER.. ONE MORE TIME! Get together.. one more time. (Ray: ..er.. one more time.) Get together.. one more time. (Ray: Get together.. one more time.) Get together got ta.. get together got ta (Ray: ..gether oahh one more time.) Get together got ta.. (Ray: Get together baybeh one more time.) Whooaaaaaaaaaahhehhh! Come on honey ahh. (Ray: get together. get together..) You get along home. (Ray: one more time) I'll be there in just a little while. (Ray: Get together) You see.. I gotta go out in this car with these people. And get.. (Ray: Say it) FUCKED UP! (Ray: yeah) Get together.. one more time! (Ray: Get together.. one more time!) Get together.. one more time! (Ray: Get together.. one more time!) Get together.. one more time. (Ray: Get together.. one more time!) Get together got ta.. get together got ta.. (Ray: Get together.. one more time.) Get together got ta.. get together got ta.. get together got ta.. yee-ahhh. Get to-gether. Just a one more. (Ray: Yeah.. mm-mm) Time-uh. (song ends/applause) (crowd shouts out requests) (tuning) Okay, listen.. uh.. we're gonna do one more.. and.. uh.. (person in crowd: "One more set") uh, we'll see.. but.. anyway, we.. we got this.. uh.. we got a movie. That, uh.. anybody that doesn't want to leave when the place closes, whenever that is, I mean.. when this.. the music.. live music part.. closes.. there's a good movie if you want to stay.. and watch it. (applause) It's an underground smash. Yeah. Alright. This is something for.. anyone who is sleepy right now. Leave the lights out. (guitar/organ intro to Rock me) Rock Me Want you ta rock me. Rock me all.. night long. (Ray: Yeah.) Come on and rock me, pretty baby. Rock me all night.. long. Rock me, woman. 'till I.. end my song. (Ray: Alright.) Sun goin' down.. The moon begin.. to rise. See da sun goin'.. down. (Ray: Yay.) Little moon begin to rise. Rock me, baybeh.. Rock me 'till I'm satisfied. Alright, let's rock a while. (guitar solo) Yaoo! Sun goin' down, da.. Moon begin.. ta-riiiiiise. See da sun goin'.. down. Moon begin to.. rise, child. Rock me.. 'till I'm satisfied. Alright play it. Yeah. (organ solo) Alright, let's get it way down now. Throw your arms around me. Circle 'round da' sun. Throw your arms around me. (Ray: Alright) Circle 'round da' sun. Then you gotta rock me. (Ray: mmm) 'cause I'm the.. only one. Ah-kay. You gotta rock me, Aow! (Ray: Yeah!) Rock me.. all night long! (Ray: Oh!) Rock me, baybeh! Rock me.. all night long! (Ray: Yeah!) You gotta rock me, pretty woman! (Ray: ehhhh-eh) Rock me all night.. long.. yeah. Ahh-right. (song ends/applause) Ray: It's movie time. So bring on the screen. Jim: Thank you very much. Thank you. We'll see ya later. Ray: Where's the screen? <<<<BACK TO INFO <<<<TRACKS & AUDIOCLIPS TOP

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